A Dance to the End of Summer
While it was an Italian invention, the French took to ballet like canards to l'eau. Catherine de Medici, the Italian who married French king Henry II, and who was responsible for much of the French Renaissance in art, and culture, and architecture, was ballet's first major patron in France; but Louis XIV, a passionate dancer whose nickname "Sun King" came from a 12-hour ballet in which he danced five different roles, cemented its place in French history and culture.
But this post is not about ballet.
It's about choreography, the kind of subtle choreography we're learning to see in Paris, where it seems that not only individuals dance to their own internal drummers, but even groups are often arranged by some master choreographer like Balanchine, or the Sun God, Apollo.
Richard and I will be standing on a Metro platform and there, across the tracks, a sudden rearrangement of waiting Parisians becomes a dance of its own. If he's quick, he can capture these moments in the Metro, in the streets, at cafés. If not, at least we saw the moment, and, like rainbows, we know they'll reappear when the angle and the light are right.
Here then, some of the choreography we've noticed, from soloists, duos, or ensemble players. Call it Paris Play's dance to the end of summer. May you keep an eye out for your town's tangos, tarantellas, or full-out ballets, and enjoy them as much as we do.